Colophon
Image credits
Every image on a design-history page is credited here, grouped by cluster and designer. Imagery is used under the Australian Statutory Education Licence (Copyright Agency Part VB), open-access museum collections, publisher permission, estate-granted access, or Creative Commons — the licence for each image is listed alongside its credit.
If you are a rights-holder and want to request an amendment or removal, the take-down process explains what we need and our response time.
Colophon
Image credits
Every image on a design-history page is credited here, grouped by cluster and designer. Imagery is used under the Australian Statutory Education Licence (Copyright Agency Part VB), open-access museum collections, publisher permission, estate-granted access, or Creative Commons — the licence for each image is listed alongside its credit.
If you are a rights-holder and want to request an amendment or removal, the take-down process explains what we need and our response time.
Modernism foundations
Portrait by Ron Kroon/Anefo from May 26, 1967 (exhibition opening, Rijksacademie Amsterdam). CC0 1.0 Universal — safe for TGDS statutory educational licence. Shows mature Cassandre; taken one year before his death.Public domainsource
Nord ExpressCrowdsourced archive copy sourced from MoMA collection; highest resolution publicly accessible version found.Public domainsource
Dubo Dubon DubonnetReferenced in Art History Unstuffed's Cassandre essay; educational/academic source; single high-resolution image of the series.Museum editorialsource
NormandieHigh-quality educational/editorial image; 98×61cm original lithograph (Alliance Graphique L. Danel, Paris); attribution provided.Museum editorialsource
YSL monogramDesign archive and analysis site; contextual image of the monogram with scholarly commentary on mixing serif/sans-serif forms.AU statutorysource
Bifur (typeface)Main Bifur typeface showcase image from Carson Park Design's article on the 1929 Art Deco typeface.Museum editorialsource
Acier Noir (typeface)Historical Deberny & Peignot catalog page showcasing Acier Noir and Acier Gris variants; high-resolution editorial documentationMuseum editorialsource
Peignot (typeface)Direct image of Peignot typeface specimen, 1937, issued by Deberny & Peignot. Uploaded by Klim Type Foundry to Flickr.AU statutorysource
Beat the Whites with the Red WedgeIvan Picelj Beat the Whites with theRed Wedge (after El Lissitzky) 1969Museum editorialsource
PROUN (Project for the Affirmation of the New)El Lissitzky Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over theSun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne) 192…Museum editorialsource
Proun Room (Prounenraum)People's Graphic Design Archive institutional entry; shows installation with geometric planes and color relationships.Museum editorialsource
V&A 'Humanly Impossible (Self-Portrait)' (1932), experimental photomontage with Bayer's face; gelatin silver print; IIIF master at 735px width; V&A non-commercial licenseMuseum editorialsource
Universal TypefaceHigh-quality editorial image from Encyclopedia Design article; shows the geometric alphabet design rendered in the original 1926 publication form.Museum editorialsource
State Bank of Thuringia banknotesHerbert Bayer 10 Banknotes, designed forthe State Bank of Thuringia 1923Museum editorialsource
Bauhaus Dessau printing + advertising workshopHerbert Bayer Ernst Kraus letterhead 1922Museum editorialsource
Bauhaus 1919–1928 exhibition design (MoMA)Product photograph of the 1938 Bauhaus catalogue dust jacket from rare book dealer Synaesthesia Press; shows full jacket design with photomontage by Bayer (based on Erich Consemüller photography).Museum editorialsource
Container Corporation of America — Great Ideas of Western Man campaignHerbert Bayer's interpretation of Theodore Roosevelt, 1959 — No. 131 in the Great Ideas series; larger version via click-to-expand link.AU statutorysource
World Geo-Graphic AtlasAuthentic atlas interior: 'World Annual Rainfall and Ocean Currents' page from 1953 edition; demonstrates Bayer's systematic information design with curvilinear weather-pattern overlays.AU statutorysource
Aspen Institute campus + environmental graphicsExhibition promotional image from Aspen Institute's 'The Poster Art of Herbert Bayer' (July 2017–June 2018); features poster art from Bayer's 1947–1981 portfolio; image is embedded in OG metadata.Museum editorialsource
Bauhaus 1919–1928Johannes Molzahn Wohnung und Werkraum (Dwelling and Workplace)(Poster for Deutsche Werkbund Exhibition in Breslau) 1929Museum editorialsource
Square-format portrait credited to © Frank Bollinger via Titans of Type. Resolution unknown; licensing terms unclear. Requires rights verification with copyright holder before editorial use.AU statutorysource
Die neue TypographieKurt Schwitters Die neue Gestaltungin der Typographie 1930Museum editorialsource
Typographische GestaltungSwiss design archive (Wiedler) jacket photograph of original German 1935 edition with blue cloth binding and tan dust jacket (red/black printing)Museum editorialsource
Penguin Composition RulesHigh-resolution image from Alex Zaneti's design portfolio showing a page of the Penguin Composition Rules with typography and layout examples.Museum editorialsource
Penguin Books cover redesignComparative analysis: "Penguin Books: 1938 & 1958" showing horizontal grid layout, Tschichold's refined typography, and design evolution across decades.Museum editorialsource
Sabon typefaceWikimedia Commons typeface specimen sample, demonstrating Sabon character set and proportions; public-domain/Wikipedia license.Public domainsource
Transit typefaceSame specimen brochure cover via Fonts In Use archive; optimized for web; sourced from Flickr.Museum editorialsource
Zeus typefaceTypographische Mitteilungen cover 1/1932 designed by Tschichold, features the Zeus typeface display — primary historical artifact showing the work in contemporary context.Museum editorialsource
PhotogramsMetropolitan Museum of Art, accession 1987.1100.158, gift of Ford Motor Company Collection. Via Wikimedia Commons.Public domainsource
The original uploader was Havelbaude at German Wikipedia . ( Original text: Havelbaude Sempf )Public domainsource
AEG corporate identity programme1907 AEG Metallfadenlampe poster by Peter Behrens. Wikimedia Commons.Public domainsource
AEG hexagonal logotype1912 version of the AEG hexagonal logotype showing the geometric mark iteration from early period.Public domainsource
AEG Turbine Factory, BerlinAEG turbine factory; AEG-Turbinenfabrik — Deutsche FotothekMuseum editorialsource
Behrens-Schrift typefacePage 14 from the original 1902 specimen showing continued typeface letterforms and ornamentsPublic domainsource
AEG Hochspannung posterV&A (Victoria & Albert Museum) IIIF image server link to a related Behrens poster (Deutsche Werkbund Ausstellung, 1914). Demonstrates Behrens' graphic style from the same period. Access requires standard museum licensing terms.Public domainsource
Swiss & International Typographic Style
Henk Gianotten photograph published in Parisian Fields memorial article; editorial context for designer obituary.Museum editorialsource
OCR-BVector typeface specimen (SVG format) generated via Font Specimen Creator; lower resolution but scalable, sourced from Wikimedia Commons.CC BY-SAsource
Frutiger (typeface)PNG render of FrutigerSpec-1.svg specimen from Wikipedia article on Frutiger typeface. Open Graph dimensions: 1015×1200px.Public domainsource
Charles de Gaulle airport signage systemPhotograph of Frutiger typeface in use at Charles de Gaulle Airport signage system—direct evidence of the 1974 wayfinding design in situ.Museum editorialsource
Type Sign SymbolOriginal 1980 first edition, ABC Verlag. Fine white glazed hardcover with bright red dust jacket. Product photography from UK design retailer The Print Arkive.Museum editorialsource
Candid photograph from 1989 by Glenn I. Fleishman showing Hofmann speaking to students at Disentis Monastery; includes environmental context but captures face clearly.CC BY-SAsource
Basler Freilichtspiele poster seriesSFMOMA official high-resolution image of 1959 Giselle poster by Armin Hofmann, lithograph, 50 3/8 × 35 9/16 inches.Museum editorialsource
Stadttheater Basel poster seriesCooper Hewitt 1960/61 season poster; iconic large T with laughing figure, offset lithograph, 128.6 × 90.3 cm. The T-letter dominates perception.Public domainsource
Herman Miller poster seriesHighest-resolution version from PLACART (Swiss art gallery). Dimensions confirmed via JSON-LD schema (3868×5400). Original lithograph by Armin Hofmann, 1962, printed by Wassermann A.G. Basel.AU statutorysource
Graphic Design Manual / Methodik der Form- und BildgestaltungOpenLibrary cover image (high-res L-size); sourced from library catalog; Open Library collection aggregates public-domain and library holdings.Public domainsource
Basel School typography curriculum10 Zürcher Maler poster for Kunsthalle Basel (1957) — quintessential Basel grid + typography systemMuseum editorialsource
Typografische Monatsblätter (editorial direction)October 1961, Issue 10 by Emil Ruder; from Letterform Archive collection via Fonts In UseMuseum editorialsource
Typographie / Typography — A Manual of DesignOriginal publisher Arthur Niggli; highest-resolution candidate; 1967 edition confirmed in product metadataMuseum editorialsource
Herbert Matter self-portrait in Eero Saarinen Womb Chair, 1950, sourced from Knoll International Archives—clear frontal view of designer's face.AU statutorysource
Pontresina · Engadin (Swiss National Tourist Office poster)High-quality catalog photo from Galerie 1 2 3 (Swiss vintage poster specialist); verified dimensions 104×64 cm; printer: Conzett & Huber, Zürich.Museum editorialsource
Winterferien — doppelte Ferien (Swiss Tourism)960px-wide thumbnail from Galerie 1 2 3 (Swiss poster dealer/restorer). Lower resolution than PLACART but independently confirms the work and provides conservation/condition documentation (condition B, repaired tears, yellowing).Museum editorialsource
Knoll Associates identityDirect logo design from official Herbert Matter archive; minimal, modernist mark in characteristic slab serif styleAU statutorysource
New Haven Railroad identityNew Haven Magazine design project documentation from Letterform Archive; institutional archival record of full identity system.Public domainsource
Guggenheim Museum typography1967 Guggenheim International Exhibition catalogue cover with Matter's three-dimensional lettering title treatmentMuseum editorialsource
Cropped square portrait version of the same 1987 RIT photograph; tighter framing for editorial use; 486px minimum dimension meets threshold.Public domainsource
Tonhalle Zürich concert poster seriesTextbook 1955 Beethoven poster — stark black/white circles, mathematical form. CC BY-SA 4.0 allows reuse with attribution.CC BY-SAsource
Swiss Automobile Club traffic-safety postersFull-resolution direct link from Fonts in Use case study; typographic context + 5-poster Swiss Automobile Club series (1953–1958) included on same page.Museum editorialsource
Gestaltungsprobleme des Grafikers / The Graphic Artist and His Design ProblemsJosef Müller-BrockmannPublic domainsource
Grid Systems in Graphic Design / Raster Systeme für die visuelle GestaltungCurrent Niggli publisher product image; shows orange cover with white grid lines and sans-serif typography. ISBN 9783721201451 bilingual edition (1996+).Museum editorialsource
A History of Visual Communication1971 first edition, softcover with section-sewn binding; high-res product image from UK design book specialistMuseum editorialsource
Neue Grafik / New Graphic Design (journal)Neue Grafik issue #16, all-type cover design by Carlo Vivarelli. From Fonts in Use professional design archive.Museum editorialsource
Typographische Monatsblätter covers (TM)Wolfgang Weingart Typographic Process, Nr2. From Simple to Complex 1973Museum editorialsource
Kunstkredit Basel — 1977/78 posterWolfgang Weingart Kunsthalle BaselKunstkredit 76-77 1977Museum editorialsource
Schreibkunst (The Art of Writing) exhibition posterPrimary museum acquisition (LACMA accession M.2015.102.1, gift 2015). Definitive catalogue image from Los Angeles County Museum of Art.Museum editorialsource
18 Didone — lecture poster seriesWolfgang Weingart Speaks to America poster by Dan Friedman (1972), SFMOMA collection; Gift of Aaron MarcusAU statutorysource
Weingart — My Way to TypographyOfficial publisher product image from Lars Müller Publishers (the original 2000 publisher); yellow/orange covers with black typography, English/German edition.Museum editorialsource
American mid-century masters
Harper's Bazaar art directionMarch 15, 1938 Harper's Bazaar cover by A.M. Cassandre (commissioned under Brodovitch's art direction) — surrealist design with floating eye motif, reflecting Brodovitch's experimental editorial vision.Museum editorialsource
Ballet2024 Little Steidl facsimile reissue; reproduction of 1945 original with grey French-wrap dustjacket, white-printed BALLET title, designed by Brodovitch to mirror originalMuseum editorialsource
Portfolio magazineColophon spread (pages 2-3) from Issue 1; shows Brodovitch's typographic system and magazine structure.Museum editorialsource
ObservationsVictoria and Albert Museum collection record (institutional authority); first-edition slipcase with original boards.Public domainsource
Design Laboratory teaching programme1941-1942 New School for Social Research Art Classes catalog cover (66KB). Direct institutional documentation of the Design Laboratory programme.Museum editorialsource
Black-and-white portrait photograph of Alvin Lustig standing in front of a modernist painting with an eye and hand, ca. 1945. From the Smithsonian Archives of American Art (AAA collection). High-resolution scan (348+ dpi). Published in Archives of American Art Journal v. 12, no. 3, p. 19. Public domain through Smithsonian Open Access.Public domainsource
New Classics book cover series for New DirectionsThe Great Gatsby (1947), New Directions edition, digitized from Smithsonian permanent collection holdingsPublic domainsource
The Wisdom of the Heart (New Directions cover for Henry Miller)Alternative view of dust jacket from Fonts In Use documentation; same design as front board.Museum editorialsource
Three Tragedies (New Directions cover for García Lorca)Official New Directions Publishing cover image for current edition (og:image from publisher website); hosted on Sanity CDN.Museum editorialsource
Noonday Press identity and book coversLetterform Archive collection of Lustig's New Directions book jackets (confirmed working archive.org image, 36 total covers available via pattern 001-036). Not specifically Noonday but same era/designer.AU statutorysource
Industrial Design magazine designCover image from Fonts In Use design reference (note: source page labels 1955–63 era, may show later redesign after Lustig's 1954–55 tenure).Museum editorialsource
Reporter magazine designMen's Reporter magazine cover (Dec 1945) — confirmed work by Lustig in Cooper Hewitt and LACMA collections; closest documented magazine identity work from period, though dated 1945 not 1949.Public domainsource
Portrait from RIT News & Events magazine (September 29, 1983); extracted from publication; PD-US no notice 1989; 647×1004px meets resolution minimum.Public domainsource
Westvaco Inspirations for Printers (61 issues)"Futural" spread (1962) from Westvaco Inspirations; Smashing Magazine archive image. Borderline—date falls just after Thompson's official tenure but included in his editorial.Museum editorialsource
Monalphabet single-case typeface proposalReferenced image from Luc Devroye's comprehensive type design information page; same design asset as PNGkit with scholarly provenance.Museum editorialsource
Mademoiselle magazine art directionMademoiselle 'Rain, Rain, Rain' spread (1958)—reproduced raincoat figure as five colored silhouettes; signature Thompson typographic + color treatment.Museum editorialsource
Smithsonian Magazine format design1989 Smithsonian Magazine table of contents showing the original Thompson nameplate and layout (still in use from his 1969 design). Baskerville typography, demonstrates the magazine structure Thompson designed.Museum editorialsource
Editorial portrait of Ivan Chermayeff (1932–2017), founding partner of Chermayeff & Geismar, photographed at AIGA NY event on June 1, 2012; high-resolution Wikimedia Commons source with verified CC-BY-2.0 license.CC BYsource
Chase Manhattan Bank logoChase Manhattan Bank 1961 Annual Report from SVA Archives (Chermayeff & Geismar Collection); original high-resolution version; logo prominently featured in red, gray, green, and blue behind repeating text.AU statutorysource
PBS identityHigh-quality render of the 1984 stacked-profile mark (1000×1000); via Logo Histories (Richard Baird).Museum editorialsource
National Geographic Society logoLogo evolution timeline showing Chermayeff & Geismar's 1967 design through 2016 refresh. PNG from design reference site, shows historical context.Museum editorialsource
Muhammad Ali as Saint Sebastian (Esquire cover, April 1968)George Lois official website portfolio image from Esquire Covers archive; curated by the designer's estate.Museum editorialsource
Andy Warhol drowning in Campbell's Soup (Esquire cover, May 1969)Vintage magazine retailer; high-resolution product image of the May 1969 issue cover.Museum editorialsource
Nixon being made up (Esquire cover, May 1968)Musée Magazine feature article on George Lois; 1500px format variant available from Squarespace CDN.Museum editorialsource
Tommy Hilfiger introduction campaignPrint advertisement variant from the 1985 campaign, showing the comparative positioning approach with hangman-style puzzle format.Museum editorialsource
Xerox "Brother Dominic" campaignThumbnail/poster frame from the original 1975 Xerox 9200 commercial (Brother Dominic), archived by The Film and Video Archive of Texas; video available in MPEG-DASH format.AU statutorysource
Damn Good Advice (For People with Talent!)Retail product photography from The Print Arkive (UK specialist bookstore); highest-resolution candidate; original 2012 Phaidon edition cover.Museum editorialsource
Studio portrait from 1975; captioned 'Herb Lubalin in his studio in 1975' with biographical contextAU statutorysource
ITC Avant Garde GothicSVG typeface specimen/sample file showing ITC Avant Garde Gothic letterforms; created 2014 by Inferno986return; CC-BY-SA licensed; direct rendering of the 1970 typeface design.CC BY-SAsource
ITC Lubalin GraphPBS branding identity example from 1984–89 era using Lubalin Graph Demi Bold; shows typeface in context.Museum editorialsource
U&lc (Upper and lower case) magazineU&lc Vol. 7 #1 (March 1980), featuring ITC Franklin Gothic. People's Graphic Design Archive.Museum editorialsource
Eros magazineEros No. 2 (Summer 1962) cover—young couple in swimsuits kissing, black/greenish-yellow with red-orange logo; Lubalin's iconic design from Wikipedia Commons.Public domainsource
Avant Garde magazine mastheadDigitized cover page from official Avant Garde magazine archive (avantgarde.110west40th.com)—curated by Mindy Seu in collaboration with The Herb Lubalin Study Center at Cooper Union.Public domainsource
Arnold Newman portrait (1950), gelatin silver print, 9.5 × 6.5 inches physical. Professional photograph held in Merrill C. Berman Collection.Museum editorialsource
Rural Electrification Administration poster series (first series)Lester Beall Radio - RuralElectrification Administration 1937Museum editorialsource
Rural Electrification Administration poster series (second series)National Gallery of Victoria's 'Boy and Girl on Fence' (1939) — iconic second-series poster featuring two children on fence with red/white/blue background; 101.6 × 76.2 cm physical size.Public domainsource
First one-man designer show at Museum of Modern ArtRunning Water and Wash Day posters paired (1937 series 1). Merrill C. Berman Collection, silkscreen 40×30 inches.Museum editorialsource
Scope magazine designScope magazine cover, 1948; Beall's characteristic layering technique with globe and crab on antique steel-engraved heads; featured in Eye Magazine's 'Space, Time & Content' article.Public domainsource
International Paper Company identitySecondary design asset from AGI portfolio showing identity system application or alternative view of the 1960 International Paper mark.Museum editorialsource
Connecticut General Life Insurance identityConnecticut General Style Book interior page spread; design awards publication archiveMuseum editorialsource
1966 archival portrait by SåRN Incorporated, held in Vignelli Center archives; era-perfect, 300 DPI resolution, ideal for print reproductionPublic domainsource
1972 New York City Subway MapOfficial museum exhibition image of the original 1972 pocket map (catalog ref. 2003.37.12). NYC Transit Museum permanent collection.Museum editorialsource
NYC Subway signage systemOriginal Vignelli 1968 porcelain-enamel-on-steel station sign (actual artifact from the 1966–70 design period). For master-resolution versions, replace 'sized' with 'master' in URL path.AU statutorysource
American Airlines identityNorthwestern Transportation Design Archive: 1969 annual report cover showcasing identity system design. Academic institutional archive of primary design artifacts from the era.Museum editorialsource
Knoll identity + advertisingOfficial Cooper Hewitt Smithsonian museum image of the 1967 offset lithograph poster (81.3 × 120.7 cm). Primary authoritative source with museum documentation.Museum editorialsource
Bloomingdale's identityPinimg archive: Shows Vignelli's complete 1972 Bloomingdale's identity system (logo, packaging, signage, typography) as described on Pinterest design board.AU statutorysource
United Colors of Benetton (early identity)Benetton logo documentation from official Italian trademark museum archiveMuseum editorialsource
The Vignelli CanonOfficial publisher (Lars Müller) — 150 DPI high-quality product image; original edition coverMuseum editorialsource
Professional portrait by master photographer Yousuf Karsh, 1990; shows Glaser at work with pencil and drafting table; held in National Portrait Gallery collection.AU statutorysource
I ♥ NY logoCooper Hewitt Smithsonian collection image of the 2001 'I ♥ NY More Than Ever' post-9/11 variant (not the original 1977 design); from authoritative museum source.Museum editorialsource
Bob Dylan posterFeatured in Centre Pompidou's editorial magazine; museum-hosted image of the canonical poster.Museum editorialsource
DC Comics "bullet" logoHigh-resolution PNG raster version (2000×1998) from SeekLogo; vector source (SVG/EPS/AI) also available for download.Museum editorialsource
Brooklyn Brewery identityWikimedia Commons SVG version of the Brooklyn Brewery monogram; trademark caveat applies despite public-domain copyright status.Public domainsource
New York magazine (co-founder + design direction)The April 8, 1968 debut issue cover featuring Glaser's original masthead and design direction from the School of Visual Arts (which houses his archives).Museum editorialsource
Drawing is ThinkingOfficial publisher (ABRAMS) cover image URL from HTML metadata (og:image); high-res source expected from publisher CDN.Museum editorialsource
Art is WorkPrimary verified cover image (590.6KB JPEG); black cloth hardcover with illustrated dust jacket, first edition 2000.Museum editorialsource
1954 portrait by Hans G. Conrad; published in book 'Hans G. Conrad: aicher in ulm' by Lars Müller Publishers; Aicher age 32AU statutorysource
Munich 1972 Olympic Games visual identityHurdles poster (1970) by Aicher & Albrecht Gaebele – part of the 21-poster sports series using vibrant Olympic colour palette (no red/black per Nazi imagery avoidance).Museum editorialsource
Munich 1972 Olympic pictogramsHenning Schlottmann ( User:H-stt ) The production, editing or release of this file was supported by the Community-Budget of Wikimedia Deutschland . To see other files made with the support of Wikimedia Deutschland, please see the category Supported by Wikimedia Deutschland . العربية ∙ বাংলা ∙ Deutsch ∙ English ∙ Esperanto ∙ français ∙ हिन्दी ∙ magyar ∙ Bahasa Indonesia ∙ italiano ∙ 日本語 ∙ македонски ∙ മലയാളം ∙ Bahasa Melayu ∙ Nederlands ∙ português ∙ română ∙ русский ∙ slovenščina ∙ svenska ∙ தமிழ் ∙ українська ∙ 中文 ∙ +/−CC BYsource
Lufthansa corporate identityLufthansa corporate identity exhibition photography from Ulm Museum/HfG Archive (1962), showing identity system components; photographed by Wolfgang Siol.Museum editorialsource
Braun brand identity and design collaborationMagazine advertisement from circa 1955—early public-facing application of Aicher's redesigned Braun identity in commercial communication, demonstrating the typographic and layout standards in editorial context.Museum editorialsource
ERCO lighting corporate identityCover of 'ERCO Lichtfabrik' (1990, Ernst & Sohn), the definitive publication of Aicher's complete corporate design system for the lighting manufacturer.Museum editorialsource
Rotis typeface familyRotis specimen by Jim Hood (2007); composite type system documentation showing family harmonyCC BY-SAsource
TypographieBack cover view of the same first edition, showing dust jacket and slip case design maintaining Aicher's systematic typography principlesMuseum editorialsource
Die Welt als Entwurf / The World as DesignSecondary angle/detail shot of the same 1994 English edition cover — shows book spine and back cover design elements. Published by Ernst & Sohn, hardcover with section-sewn binding, 192 pages.Museum editorialsource
NeXT logoOfficial branding specification sheet from Paul Rand's archive showing the NeXT logo with technical construction grid and measurements.AU statutorysource
Thoughts on DesignCedric Price Generator Project, White Oak, Florida,Selection of Design Thoughts Used within the Office, C 1978-80Museum editorialsource
Portrait-orientation crop of RIT photograph; used in Wikipedia biographical entries; suitable for editorial layouts.Public domainsource
The Man with the Golden Arm (title sequence)People's Graphic Design Archive — crowdsourced design-history platform; standard res with 2x variant available. Sourced from MoMA collection.CC BYsource
Vertigo (title sequence)High-resolution poster image from ELEPHANT magazine's design editorial feature on Saul Bass's iconic Vertigo poster.Museum editorialsource
Psycho (title sequence)Psycho image from Flashbak's archived Bass poster collection; likely a poster or composite still from the film's promotional materials.Museum editorialsource
Anatomy of a Murder (poster + title sequence)High-res poster (2,650 × 3,925 px; 3.48 MB) on Wikimedia Commons public archivePublic domainsource
AT&T logo (globe mark)High-resolution PNG with transparent background, logo-aggregator sourceAU statutorysource
Quaker Oats logo (smiling Quaker)Highest-resolution transparent PNG of the Bass monochromatic redesign; design asset repository with 162KB file.AU statutorysource
Casino (title sequence)Still from Art of the Title's authoritative entry on the Casino title sequence, the canonical design documentation site for title sequences. Features editorial analysis of the sequence's artistic vision.Museum editorialsource
Japanese & global mid-century
Professional member portrait from Tokyo Type Directors Club (2020), well above minimum resolution; authoritative Japanese design organizationMuseum editorialsource
Uniqlo global identity2006 redesign showing red square with Latin + katakana bilingual wordmark. Sourced from authoritative logo reference database.Museum editorialsource
Rakuten identityOfficial Rakuten press release (June 26, 2018) showing the new global brand logo and selected service logos designed by Kashiwa Sato; 180.3 KB high-quality JPEG from corporate announcement.Museum editorialsource
Tsutaya Daikanyama flagship identityVisual identity applications and particle/dot system variations demonstrating the modular mark concept.Museum editorialsource
Postmodern & deconstructivist (1980s)
Jayme Odgers portrait (cibachrome collage on illustration board, 32.5×27 inches), 1986. Commissioned for Strathmore Paper Company advertisement; archival piece with video still elements.AU statutorysource
Design QuarterlyCredit pending
CalArts identityPeople's Graphic Design Archive (crowdsourced collection); 1978 poster (11 × 46 inches). Three-angle documentation; contact archive for licensing terms.AU statutorysource
WET magazine covers + layoutsCover featured in V&A's 'Postmodernism: Style and Subversion 1970-1990' exhibition. From Dwell's photo gallery. Lower resolution than People's Archive version.AU statutorysource
Lifetime Learning Systems identityKano Tan'yū — Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015Public domainsource
Wilshire/Vermont Station public art installationStudio portfolio image from Made in Space (Greiman's practice), showing the rice-bowl design mural installed on station facade.Museum editorialsource
Hybrid Imagery — The Fusion of Technology and Graphic DesignGoodreads/Amazon-hosted catalog image; widely visible metadata copy; may be lower resolution than archival sources.AU statutorysource
Illustration portrait of Barbara Kruger by Luisafantinel (2024-11-15). High-resolution, CC-BY-SA licensed, editorial-quality digital illustration rather than photography.CC BY-SAsource
Untitled (Your body is a battleground)Museum collection page from The Broad (Los Angeles), which holds the original 1989 silkscreen work.Museum editorialsource
Untitled (I shop therefore I am)Serigraph on vinyl version held in Pinault Collection (280×283 cm); museum-hosted image with higher institutional authority.Museum editorialsource
Untitled (We don't need another hero)Primary museum collection image from the Whitney Museum of American Art (accession 2012.180), the definitive institutional source for this work.Museum editorialsource
Belief+DoubtAuthoritative encyclopedic source; full installation view, lower-level lobby contextMuseum editorialsource
Jurassic Park (Michael Crichton) jacketCover image from Pinterest curated pin (2024). Likely pinned from retail/editorial source; resolution capped at 736px by Pinterest CDN.Museum editorialsource
The Wind-Up Bird Chronicle (Murakami) jacketDirect image of the USA Knopf first edition with Chip Kidd jacket design from dedicated Murakami cover archive; shows full front cover view of the orange bird on blue background.Museum editorialsource
1Q84 (Murakami) jacketComplete jacket design showing both vellum overlay and base cover; published in Hyperallergic 2011 design editorial with Chip Kidd commentary.Museum editorialsource
Naked (David Sedaris) jacketAlternative angle/back cover view from the same design documentation post.AU statutorysource
The Cheese Monkeys2001 Scribner first edition (ISBN 9780743214926); features pictorial hard boards with dust jacket proclaiming 'Design by Some Guy' and 'Good Is Dead' printed on spine/page edges.Museum editorialsource
Mythology — The DC Comics Art of Alex RossStandard first edition (1A-1ST) from MyComicShop; original 2003 Pantheon release; verified inventory source.Museum editorialsource
GoHighest resolution (907.9KB); publisher product page; covers both 2013 hardcover (9780761172192) and 2022 paperback (9781523515653) editions.Museum editorialsource
Professional studio portrait by Norman Posselt at Beyond Tellerrand Düsseldorf conference, May 2019. Shot on Sony α7R III with 85mm lens. Highest resolution freely licensed image available.CC BY-SAsource
Transworld Skateboarding art directionJune 1987 magazine cover from Skateboard Magazine Archive — scanned archive of printed issue from Carson's tenure.Museum editorialsource
Beach Culture magazineBeach Culture August/September 1990 cover; credited to davidcarsondesign.com; editorial blog articleMuseum editorialsource
Ray Gun magazine art directionEarly issue cover (1992) with Henry Rollins, Sonic Youth, Inspiral Carpets — early Carson layout examples from Dazed Digital archiveMuseum editorialsource
The End of Print: The Graphic Design of David CarsonPrimary cover from People's Graphic Design Archive (established crowdsourced archive). Shows Carson's trademark experimental typography with overlapping, multi-sized fonts in grayscale/monochrome.Museum editorialsource
2ndsight: Grafik Design After the End of PrintOfficial cover image from David Carson's portfolio site; accessible and confirmed working (51KB JPEG)AU statutorysource
TrekOfficial source from David Carson's design portfolio; direct cover image embedded on book project page (~139KB JPEG indicates substantial resolution)Museum editorialsource
Nike "Hell Yes" / Hi campaignOnly publicly available candidate found; Pinterest source labeled 'David Carson Nike Advertisement' but lacks specific campaign name verification. No metadata confirming 'Hell Yes' or 'Hi' campaign designation.AU statutorysource
Professional portrait by Adam Schokora for TypeParis; just under 600px threshold; no explicit license found.AU statutorysource
The Face magazine art directionThe Face Electro issue #49 (1984) — mid-career work showcasing experimental display typographyMuseum editorialsource
Arena magazine art directionArena issue documentation from Magazeum (filename suggests 1983, likely mislabeled; matches 1987–90 tenure). Shows full cover/identity.Museum editorialsource
Industria typefaceDirect typeface specimen image from Wikimedia Commons, hosted under CC-BY-SA license, showing Industria Solid (the primary weight released commercially by Linotype in 1989).Public domainsource
Insignia typefaceHigh-resolution Insignia font specimen from People's Graphic Design Archive (largest scale available). Originally sourced from cari.institute factory-pomo aesthetics archive.Museum editorialsource
Arcadia typefaceParadiso Noord event poster (2014). Arcadia used as one typeface in a typographic composition alongside other faces.Museum editorialsource
FF Blur typeface familyCC0 Universal Public Domain Dedication. Official specimen artwork showing full alphabet, numbers, and punctuation for FF Blur. SVG vectorized format.Public domainsource
Fuse magazine and conference seriesEye Magazine (Flickr Commons) photo of FUSE issue 1 box and Fuse 1-20 Taschen anthology—direct image from authoritative design journalism source.Museum editorialsource
The Graphic Language of Neville Brody 2V&A Museum archival poster (1994, highest-res IIIF endpoint). This is a promotional poster advertising the book; archival collection metadata confirms book publisher as Thames & Hudson.Public domainsource
Square professional interview portrait from OnCreativity video (2019); highest resolution candidate at 1.24 MB.CC BYsource
Public Theater identity systemLogo design image from People's Graphic Design Archive. Crowdsourced design history platform; rights unclear but publicly served.AU statutorysource
Swatch "Bauhaus copycat" advertisementAuthoritative archive hosting; People's Graphic Design Archive entry for Scher's Swatch poster. Directly successfully verified.CC BY-SAsource
Citibank identityDirect image of the 1998 Citibank logo featuring the red arc mark over Interstate wordmark, referenced in design typography documentation.Museum editorialsource
Tiffany & Co. identity refreshTiffany packaging and identity refinement detail; Pentagram's logotype makeover for luxury retailer (Paula Scher, 2003).Museum editorialsource
Windows 8 logoOriginal work: Microsoft File:Windows 8 logo and wordmark.svg : Multiple editors; see image description page This work: Fry1989Public domainsource
Make It BiggerProduct photo from The Print Arkive (UK bookstore); 'grande' designation suggests higher resolution than standard listingMuseum editorialsource
Recent (2023) Manchester Digital Music Archive image, attributed to Manchester School of Art alumni collection; listed as high-resolution but dimensions not specified.CC BYsource
Unknown Pleasures (Joy Division)V&A Museum collection. Offset lithograph record inner-sleeve, 30.5 × 30.9 cm physical. IIIF-served image, editable to higher resolution by changing URL parameters. Museum holds original artifact.AU statutorysource
Power, Corruption & Lies (New Order)Back cover: colour decoder system for Saville's cipher (band name + album title + FACT 75). Same source as front cover.Museum editorialsource
Blue Monday (New Order)1988 revised edition with updated color treatment; confirmed public domain (geometric shapes/text only per Wikimedia classification)Public domainsource
Original Modern — Manchester city brandCerysmatic Factory archive holds 13 design documentation images from the Original Modern project; relative paths extracted from primary source pageAU statutorysource
Black-and-white portrait photograph labeled 'Mr Tibor Kalman'; sourced from Blogspot editorial post, circa 1990s era.Museum editorialsource
Talking Heads — Remain in Light album artTibor Kalman, TalkingHeads, Tina Weymouth, Chris Frantz Album cover for TalkingHeads, Remain in Light 1980Museum editorialsource
Restaurant Florent identity1989 postcard 'Mirth' — Cooper Hewitt collection (accession 1993-151-304), offset lithograph, typographic arrangement with table imagery. 15.1 × 10.3 cm.Public domainsource
Colors magazineColors Magazine cover (specific issue from context: Issue 4, Race). Design Assembly NZ article on the New Zealand government's attempted censorship of the Queen Elizabeth image.Museum editorialsource
Benetton "United Colors" editorial directionColors Magazine Issue 4 (1993, Races) cover — designed by Kalman, official Benetton publisher archive; includes the controversial doctored portrait series.Museum editorialsource
(un)FASHION2005 paperback reissue (ISBN 9780810992290); later edition, same design as 2000 hardcover.Museum editorialsource
Perverse OptimistHigh-resolution product image from UK-based specialist print retailer; '_grande' format suggests optimized quality.Museum editorialsource
Contemporary practice (2000+)
Design Matters podcastOfficial TED Audio Collective cover art — current authoritative version since podcast joined TED in 2020.Museum editorialsource
Burger King rebrandHigh-res PNG of 1999 Sterling Brands logo. Designer credited as Ian Brignell for Sterling Brands. Most detailed raster version.Museum editorialsource
Tropicana packaging (Sterling Brands)Portrait-oriented photograph showing new vs. old Tropicana packaging comparison from February 2009 redesign controversy.AU statutorysource
Why Design MattersPrimary, widely-circulated first-edition hardcover cover; compressed JPEG (~72KB) from Goodreads/Amazon CDN; white background with red 'WHY DESIGN MATTERS' and 'DEBBIE MILLMAN' text, grey abstract overlapping circles, visual language developed with Michael Bierut (Pentagram)Museum editorialsource
Brand Thinking and Other Noble PursuitsOfficial publisher cover image (Skyhorse Publishing/Allworth Press imprint); imgix-hosted, resizable via URL parametersMuseum editorialsource
Professional institutional portrait by Christina Chahyadi for Cooper Hewitt's 30-year-tenure announcement (2022). Smithsonian-affiliated institutional source, high editorial value.AU statutorysource
Thinking with Type2004 first edition cover; Goodreads-hosted image via Amazon CDN. Editorial use only per Goodreads ToS.Museum editorialsource
Graphic Design — The New BasicsOriginal 2008 edition cover (ISBN 9781568987705), retrieved from David Krut Books product page via og:image metadata. Authoritative retailer source.Museum editorialsource
Design Is StorytellingGoodreads canonical cover image (2018 upload timestamp). Widely cited book metadata source; same cover design as Cooper Hewitt official version.Museum editorialsource
D.I.Y. Design It YourselfPinterest pinned image; cached to 736px width. Same book, same cover design (Mike Weikert / Nancy Froehlich photo).Museum editorialsource
Official Sagmeister & Walsh press headshot by Mario de Armas (mariodearmas.net); vertical/portrait orientation; explicitly marked for editorial use with photographer credit.Museum editorialsource
Sagmeister & Walsh studio identityAnnouncement photograph from Creative Bloq's coverage of Sagmeister & Walsh partnership; 2012 rebranding announcement.Museum editorialsource
40 Days of DatingPublisher's official book cover image hosted on Abrams Books (Harry N. Abrams, the copyright holder). 304-page book with cover portraits by Henry Leutwyler.Museum editorialsource
Snapchat Spectacles campaignProduct shot of first-generation Spectacles with yellow accent elements. Captured Dec 2016, documenting the core product design with the brand's signature yellow highlights.CC BY-SAsource
studio identityCredit pending
Saks Fifth Avenue identityAdditional Want It campaign execution showing ornamentation and pattern integration across the seasonal signage and applicationsMuseum editorialsource
Stefan Sagmeister — Things I Have Learned in My Life So Far (custom lettering)Additional sugar work spread or detail shot from the Bantjes–Sagmeister collaboration, archived by The Marginalian.Museum editorialsource
Wired magazine — The Valentine IssueMarian Bantjes' 2008 hand-drawn Valentine greetings with ornamental letter forms—not a Wired publication, but matches the Valentine + ornamental description from the brief.AU statutorysource
I WonderCover image from Marian Bantjes' official portfolio; shows original 2010 hardcover with gold and silver foil stamping on black satin cloth and gilded page edges.Museum editorialsource
Pretty PicturesCommunication Arts magazine book review (Jan 2014); confirms 'scarlet- and silver-foil-wrapped monograph' binding.Museum editorialsource
Portrait by photographer Maria Spann for Eye Magazine (Summer 2020). Editorial publication source, though URL accessibility may vary.AU statutorysource
Saks Fifth Avenue identityPrimary identity project documentation from Retail Design Blog; shows the grid-based logo system and applications in design context.Museum editorialsource
MIT Media Lab identityBusiness cards showing individualized permuted logos; demonstrates the distributed identity system's real-world application across community members.Museum editorialsource
Mastercard logo redesignThe evolved 2019 wordmark-removed version (text dropped entirely); descendant of the 2016 Bierut redesign.Public domainsource
Hillary Clinton 2016 campaign identityPNG rasterization of primary H-mark at high resolution (1280px width), suitable for display if vector source unavailable, maintains fidelity of the design.Public domainsource
New York Jets identitySVG vector file from Freebiesupply; clean distribution of 2024 official logo with transparent background.Museum editorialsource
New York Times Magazine redesigns (multiple)1998 NY Times Magazine cover design by Jennifer Morla; conceptually inverted masthead to objectify the magazine; held in SFMOMA permanent collectionAU statutorysource
How to: Use Graphic Design to Sell Things, Explain Things, Make Things Look Better, Make People Laugh, Make People Cry, and (Every Once in a While) Change the WorldFirst edition (2015) cover with white dust jacket from Goodreads/Amazon Books catalog. Original Harper Design publication.Museum editorialsource
Now You See It and Other Essays on DesignGoodreads/Amazon product catalog image; compressed variant (.com/images/S/compressed). First edition (2017).Museum editorialsource
Editorial event photograph by Norman Posselt at aXbt Beyond Tellerrand Hamburg (May 2022), professional lighting and composition.CC BY-SAsource
Lou Reed — Set the Twilight Reeling album artPromotional poster version featured in PRINT Magazine's 'Image of the Day' column; design-focused publicationMuseum editorialsource
AIGA Detroit lecture posterAIGA archives direct link; official AIGA event documentation for The AIGA Detroit 1999 lecture.Museum editorialsource
Casa da Música identityBehance portfolio documentation by Virginia Donelli; shows faceted logo variations with color applications from the system.Museum editorialsource
The Happy ShowThe Happy Film Pitch Book cover, published by ICA Philadelphia 2013; official exhibition catalog documenting the 2012 showMuseum editorialsource
Things I Have Learned in My Life So FarCommunication Arts (design industry publication) portfolio entry; authoritative design-press source.Museum editorialsource
Made You LookFirst edition with red transparent slipcase visible; demonstrates the interactive die-cut design and color-filtering effect that changes the dog's expressionMuseum editorialsource